Hari Sue performs her winning song "Qui s'élèvera?" with the support of song contest patron Albert N'sanda, who also features in the song.
The video opens with a shot of Hari Sue from behind, pushing a black bicycle across a green field towards a forest. She is wearing a white shirt and dark cycling shorts. White lettering appears in the middle of the video clip: "Hari Sue feat. Albert N'sanda".
Then you briefly see Albert N'sanda standing in front of a white wall on which the lyrics of the song written in red letters. He is wearing a black hat, a light brown leather jacket over a white shirt with a blue jumper. He looks into the camera.
You can see white lettering again with the title of the song: "Qui s'élèvera?" (translated: Who will rise up?) Hari Sue pushes the bicycle from right to left along a path through a meadow. A town can be seen on the horizon. The writing slowly disappears.
Change to Albert N'sanda in front of the wall singing: Qui s'élèvera? (Who will rise up?).
You see Hari Sue again, standing on the grass with her bicycle next to her and turning to face the camera. She rides her bicycle along a road in the forest towards the camera and raps.
Je me rappelle, étant enfant (I remember when I was a child).
Apprécier le son du vent (I enjoyed the sound of the wind).
This is followed by an overlay at the bottom left on a blue background: Your song for ONE WORLD! Order ONE WORLD album Vol.4 now for free and below on a yellow background is written www.eineweltsong.de.
Respirer à plein poumons (Take a deep breath)
Je me sentais tellement vivant (Felt so alive)
J'admirais toute cette beauté (I admired all this beauty)
Tout près de moi qui m'entourait (Who surrounded me very close)
She is now standing on a forest path, holding a picture in her hands in front of her. Behind her she has parked her bicycle. She can be seen in the picture herself.
Je me laissais emporter (I let myself be carried away)
Par la mélodie de la forêt (From the melody of the forest)
The camera zooms in on the image until it fills the screen. Hari Sue stands with a sign in her hand in front of three large white tank farms and raps. A bicycle is parked against a wall in front of the camps. Hari Sue is wearing denim trousers and a bright yellow jumper. She holds a protest sign that says "NO BORDERS!"
Ces êtres vivants qui y vivaient (Those creatures that lived there).
Avaient besoin d'être protégé (Need to be protected).
The scenery remains the same, but Hari Sue's outfits and the signs she holds change. First, a sign showing the globe with "Sale" written in red letters, then a sign with three chimneys with the symbol for nuclear power and the words "No Thanks!", then again the sign "No Borders".
Toutes ces oiseaux, les petits tortues (All these birds, the little turtles).
Les lémuriens et les zébus (Lemurs and zebus)
Partout dans le monde,.... (All over the world...)
Ils sont connus, yeah (...are they known, yeah)
The scene changes. A wooden picture frame is attached to a wire fence. In the picture Hari Sue is standing in a garden. Behind her, the bicycle and a wire fence can be seen. Hari Sue is wearing jeans with a white top with pink stripes and is holding a sign on her left that says: "LET ME BEE". A large bee is painted in the middle of the sign. The camera slowly zooms in on Hari Sue and the image fills the whole screen again.
À présent ils sont tués (Now they are killed).
Sont chassés, menacés, enfermés (Hunted, threatened, imprisoned).
Envoyé à l'étrangers, yeah à l'étrangers (Sent abroad, yeah, sent abroad).
The camera pans to the right to a hedge with white flowers. A silver ornate picture frame hangs from the hedge.
In the picture, Hari Sue sits down on an orange-coloured couch. The camera zooms into the picture and again the picture then fills the screen. On the left side are two flower pots with ferns and a picture hangs on the wall behind the sofa. Hari Sue is again wearing the outfit from the beginning. She picks up a remote control from the glass table in front of her and points it at the camera.
Mais qui s'élèvera pur hausser la voix (But who will rise up and raise their voice?).
The frame reduces to a television screen and then shows Hari Sue in front of a blue map of the world as an anchor in a news studio. She is wearing a white shirt and a black jacket. In front of her on a table is a microphone and a pad. During the following scene, Hari Sue sings:
Et mettre fin à tous ces dégâts (And put an end to all these damages).
Montrer auch monde entier la triste vérité (To show the whole world the sad truth)
Tout ce qui se trame derrières vos papiers (All that goes on here behind your papers)
Tous ces braconniers, les personnes hauts placées (All these poachers, the people in high places)
Qui derrière se font du blé (Those who earn their money with it)
Qui oseront enfin les arrêter (Who will finally dare to stop them?)
Messages are inserted in the form of various video sequences, each of which can only be seen for a very short time. Among others: Looking through a microscope and then looking at a microscope from above on a table with test tubes and petri dishes, two people in white lab coats and yellow rubber gloves filling the test tubes. A street crossing from above. A container oat with many colourful containers lined up. View of a construction site with high-rise buildings from above. A combine harvester drives off a field. Many rows of small green bushes. An assembly line. A colourful wall with a painting of a soldier, on his helmet it says "WAR IS HELL". The back of a man's head against a wall of fire. The ruins of a bombed city. An explosion in a mine and the removal of gravel and sand.
Then Hari Sue is seen again briefly as a anchor in the news studio.
Various video sequences are shown again: A scaffold in front of the sunset from which a lot of smoke emanates. Cows in a stable. A burning forest from above surrounded by a city. A view of corrugated iron huts. Excavators and people on a full landfill. A motorway with many cars.
Hari Sue again as a newsreader. This time behind her, among other things, these recordings are shown: A big city with many cranes. A search box on the internet. A skyscraper with many brightly lit windows. A mountain range with a starry sky above it.
Then you see the following sequences again in full screen: Sprouting green seedlings. A blossoming flower. A crying baby. Bubbling water. Gears meshing. A shoe stepping on moss. Fighting antelopes in a meadow. Bees crawling on a honeycomb. Jellyfish in the sea. A demonstration with many people also carrying demonstration signs. A partially bare forest from above. View of an overbuilt city. A demonstration with many people. A snowy forest with a stream from above. A blue flag with a white dove with a rainbow coming out of its wing. Two faces close together, you can only see one eye of each person.
The camera zooms out of a picture with a wooden frame. The picture again shows different video sequences: A person with a bald head who opens their eyes. A woman in a pink headscarf. A woman laughing. A fist stretched upwards. Many rows of solar panels. Wind turbines. Skyscrapers.
The camera pans to the right. Hari Sue is standing on the roof of a skyscraper. She is wearing jeans shorts with a blue shirt under a white shirt. She is holding a demo sign, with a scale and the caption "EQUAL"; on the left it says "WORK" and on the right "PAY".
Maintenant attends, j'ai pas fini (Now wait, I'm not finished yet).
Oui sur les terres de mon pays (Yes, on the soil of my country).
Again Hari Sue's outfits and the demo signs change. The signs read "fight like a girl", then "books not bombs". Meanwhile she raps:
De beaux trésors y sont enfouis (There are beautiful treasures buried there).
Des bois précieux y sont aussi (Noble wood grows there)
Des pierres précieux, des minéraux (Precious stones, minerals)
Des saphirs et des cristaux, yeah (Sapphires and crystals, yeah)
Hari Sue points to the right and the camera pans there to the inside of a small supermarket. Hari Sue is standing in the aisle. She is wearing a brown jacket and pink trousers. The camera slowly moves towards her.
Toutes ces richesses tant exploitées (All these treasures so exploited).
Pour encore plus de blés (For more and more money)
Albert N'sanda is seen in front of a white wall with the red lettering of the lyrics, singing in the background to Hari Sue's rap.
Nos belles forêts disparaissent (Our beautiful forests are disappearing)
Quand est-ce qu'ils vont s'arrêter, yeah (When will they stop, yeah).
The camera swings to the left onto the shelves. A silver picture frame hangs there. In the picture, Hari Sue is standing in a greenhouse surrounded by plants. She is wearing the outfit from the beginning again. The camera zooms into the picture and it fills the screen. The scene changes in between to Albert N'sanda in front of the wall with the song lyrics in red writing and back again to Hari Sue in the greenhouse.
Mais qui s'élèvera pour hausser la voix (But who will rise up and raise their voice?).
Et mettre fin à tous ces dégâts (And put an end to all these harms).
Montrer au monde entier la triste vérité (Show the whole world the sad truth)
Tout ce qui se trame derrières vos papiers (All that goes on behind your papers)
Tous ces braconniers, les personnes hauts placées (All these poachers, the people in high places)
Qui derrière se font du blé (Those who make money with it)
Qui oseront enfin les arrêter, yeah (Who will finally dare to stop them? Yeah)
Hari Sue walks through the greenhouse with her back to the camera and you can see the glass roof of the greenhouse with the sun shining through.
Jusqu'à quand nous fermerons les yeux (How long do we want to close our eyes to it).
Nous détruisons nos biens les plus précieux (We are destroying our most valuable asset).
The camera zooms out of the picture again. The picture with Hari Sue in the greenhouse has a gold picture frame and hangs on the white wall with red lettering. You can see Albert N'sanda and now as well Hari Sue, who is wearing a bright yellow hooded sweatshirt, performing in front of the wall. The scene keeps changing between Hari Sue and Albert.
Il est temps d'ouvrir les yeux (It's time to open your eyes).
Et un jour on vivra plus heureux (And one day we will live happier)
Mais qui s'élèvera pour hausser la voix (But we will rise up and raise our voice?)
Et mettre fin à tous ces dégâts (And put an end to all these harms)
Montrer au monde entier la triste vérité (Show the whole world the sad truth)
Tout ce qui se trame derrières vos papiers (All that goes on behind your papers)
The camera begins to zoom out from the scene with Hari Sue in the greenhouse. All the previous shots of Hari Sue holding the demo signs are shown fast forward in reverse order in a picture frame.
Tous ces braconniers, les personnes hauts placées (All these poachers, the people in high places).
Qui derrière se font du blé (Those who earn their money with it)
Qui oseront enfin les arrêter (Who will finally dare to stop them?)
The fast-forward ends with the scene from the beginning: Hari Sue is standing on the meadow outside the town. The bicycle stands next to her and she is looking into the distance. She rides her bicycle from left to right through the picture at the top of a green hill. In the middle is the writing: Qui s'élèvera? (Who will rise up?). As soon as Hari Sue rides along the lettering, the letters gradually disappear.
The image changes to a graphic of a yellow wall. The words "Your Song" appear and next to it on a globe for "ONE WORLD". A person stands on a ladder leaning against the wall and sprays graffiti headphones on the globe.
At the bottom left, the address of the website "www.eineweltsong.de" is displayed on a blue stripe, followed by the small symbols for Facebook and Instagram, and below that, the social media name of the song contest "@eineweltsong".
Two white bars slide into the frame from above and below. The top one on the left says: " Organised by Engagement Global" and "On behalf of the Federal Ministry for Economic Cooperation and Development". On the right it says: The Song Contest "Your Song for ONE WORLD!" next to the logo of the Song Contest, an orange circle with blue headphones in which "all for ONE WORLD for all" can be read.
On the bottom bar it says: "Sponsored by the standing Conference of the Ministers of Education and Cultural Affairs ", as well as "with the support of: Cornelsen, Grundschulverband, Johanniter, Kindernothilfe, Lugert Verlag, missio, PLAN International, SPIESSER, Verband deutscher Musikschulen and Zeit für die Schule".
