At the beginning of the video, you see a dark blue background with an animated rotating globe. In the centre is an orange circle that fades out. This is followed by this year's Song Contest banner with the title "Dein Song für EINE WELT!" (Your song for ONE WORLD). On the globe is a photo of a girl playing the guitar and smiling, as well as a young man holding a microphone in one hand and pointing at the audience with the index finger of his other hand.

The intro fades out and the Spree and a bridge in Berlin is shown. The song by Shayla & Filo starts to play in the background. In the front left of the picture, "'Kinder der Welt' von Shayla & Filo" ('Children of the World' by Shayla & Filo) is faded in.

Shayla and Filo are playing on a tree trunk in front of a house. In a close-up, both girls laugh at each other. They both introduce themselves off-screen: "My name is Shayla Jolie. I'm ten years old, I'm from Berlin and I go to school." And: "I'm Filomena Moling. My nickname is Filo. I live in Berlin, I'm ten years old and I go to school.". The film alternates between footage from outside and from the film studio, where both are sitting on chairs.

They are holding a clapperboard in their hands and let it close. In the next scene, they are playing and singing their song together at an electric piano:

„Bin gebor'n vor 10 Jahren in dieser wunderschönen Welt…“
("I was born 10 years ago in this beautiful world...")
Shayla explains: "Our song is called “Kinder der Welt” (Children of the World). Our idea was because many children feel powerless ...". A glowing globe is faded in.

The song continues with Shayla singing: „Wie kann ich spiel'n und ein Kind sein, wenn ihr unsere Bitten nicht hört, die Erde weiter auspresst, unser Paradies zerstört?“

("How can I play and be a child if you don't listen to our pleas, keep squeezing the earth, destroy our paradise?")
Shayla finishes her sentence: "... that we finally empower children and tell them that they are special."

Filo adds: "...that the children should stand up together, and address the powerful, the rich, the politics, especially the economy: Hey, you have to do something about climate change. It can't go on like this. Our time is up and it's about our future and the future of the children who are yet to come." As they both speak, you can hear their song playing softly in the background. Film clips are shown of them both running towards a playground.

A scene of them singing together: “Kinder wollen spielen und fröhlich sein, wie der Vogel im Wind.“
("Children want to play and be happy, like a bird in the wind.")
Filo talks about the inspiration for the song: "We are in an environmental school and we wanted to write an environmental song for the summer festival." A picture shows both girls on a school stage.

Shayla continues: "And then I called her and said: Hey, Filo, why don't you come and we'll write a song together?" A close-up of Shayla's hands on the piano. The camera then pans to Filo, who sings: „Fruchtbare Felder verdörren zu Staub, Flüsse und Quellen versiegen.“

("Fertile fields wither to dust, rivers and springs dry up.")
Filo explains her motivation: "I am driven by the fact that I know that other countries are facing total droughts or water disasters and that we are doing well. But we need to know that it will hit us too at some point." Both girls sing together: "Kinder der Welt, hört nicht auf zu rebellier'n. Es ist 5 nach 12, es muss endlich was passier'n."
("Children of the world, don't stop rebelling. It's 5 past 12, something must finally happen.")
This is followed by more footage of the girls climbing together on the playground. Shayla says off-camera: "We have lots of activities at school. We plant trees where little bees can hide. And we also clean up rubbish in our school."

Shayla does a handstand. Filo picks up on Shayla's words and says: "And my class is now doing the red bin project, where we can recycle all the paper that is no longer needed."

Both girls sing together: "Kinder der Welt, hört nicht auf zu rebellier'n. Es ist 5 nach 12, es muss endlich was passier'n." ("Children of the world, don't stop rebelling. It's 5 past 12, something must finally happen.") With regard to her view of One World, Filo says: "For me, One World means that all people pull together to make the world a better place. Because we are guests on earth. It doesn't belong to us, we have to look after it because it's our only home. And we have to protect it." The final shot shows Shayla and Filo sitting together at the piano while singing the exhorting song line "Hört die Kinder der Welt!" ("Listen to the children of the world!").

It follows the banner of the current round of the Song Contest "Dein Song für EINE WELT!" (Your song for ONE WORLD) appears in yellow with a globe and two young people making music in the centre. On the left-hand side there is a link to find more information at www.eineweltsong.de. As well as the handle for Facebook and Instagram @eineweltsong. The logo of Engagement Global, the German Federal Ministry for Economic Cooperation and Development, and other sponsors can be seen at the top and bottom of the banner. The Song Contest was supported by the Kultusminister Konferenz, Aktion gegen den Hunger, Bertelsmann Stiftung, Cornelsen Verlag, Grundschulverband e.V., Kindernothilfe e.V., Lugert Verlag, Spiesser – die Jugendzeitschrift, TUI Care Foundation, Verband deutscher Musikschulen e.V. and ZEIT für die Schule. The logo of the Song Contest with the orange ball with headphones can also be seen in the top right-hand corner. Then the orange circle from the beginning appears in the centre and expands until only the lettering is visible on an orange background.

At the beginning of the video, you see a dark blue background with an animated rotating globe. In the centre is an orange circle that fades out. This is followed by this year's Song Contest banner with the title "Dein Song für EINE WELT!" (Your song for ONE WORLD). On the globe is a photo of a girl playing the guitar and smiling, as well as a young man holding a microphone in one hand and pointing at the audience with the index finger of his other hand.

The intro fades out and you see a light bulb in the foreground. In the background there is a wall with graffiti that reads "#eineweltsong" (#oneworldsong). At the bottom left, "'Keine Gewinner' von Ildiko" (’No winners’ by Ildiko) is faded in. Now city shots of Berlin are shown. Ildiko is standing on the street with her guitar and singing. In another shot, she is laughing in front of a graffiti. Her voice is heard off-screen: "I'm Ildiko. I'm 18 years old and I come from the Harz."

Ildiko is sitting in a film studio and holds a film clapperboard with her name on it in front of her face. She lets the clapperboard close. While footage of her with her guitar is shown again, she says: "I like writing poetry and yes, somehow music has always had something to do with my life. My song is called No Winners. War knows no winners. Even though it's always said that there's always a winner and a loser in war, I don't know what's supposed to be a winner if people die on one side and on the other."

A few short sequences are shown, including Ildiko going up an escalator and a graffiti reading "Make Art, Not War".
This is followed by a close-up of Ildiko singing the verse: “Siehst du den Soldaten, er brennt…” ("Do you see the soldier, he's burning...") From the off, Ildiko goes on to explain how omnipresent war is in human history and how she deals with it: "The bad thing is that war has never been a closed issue for humanity and, unfortunately, as things look at the moment, it never will be. It made me personally sad, or at least preoccupied me. And if something like that is inside me, sooner or later it has to come out. And since I'm not very good in direct dialogue, I express myself through literature, through writing."

Ildiko sings: „Krieg macht alles nur schlimmer, und wenn ihr glaubt, dass ihr niemals fallt, für Krieg ist keiner bereit.“ ("War only makes everything worse, and if you think you'll never fall, no one is ready for war.")

About the inspiration behind her song, Ildiko says: "The song “Es ist an der Zeit” (“It’s about time”) by Hannes Wader tells the story of a soldier, and I thought to myself that there are more fates in a war, and I tried to depict a wider range of fates, all of which are of course only representative." Ildiko's singing and guitar playing can still be heard softly in the background.

As she speaks, scenes from the recording studio are shown. Ildiko is coached by René. René: "Second beat pattern after the first chorus, when I enter."
Ildiko: "Yes. Okay."
Both play electric guitar. Ildiko sings: „Und siehst du es, das Kind, es brennt, siehst du nicht, wie es in den Bunker rennt. Denn Krieg kennt keine Gewinner, Krieg macht alles nur schlimmer…“
("And do you see it, the child, it's burning, don't you see it running into the bunker.
Because war knows no winners, war only makes everything worse...")

When asked what One World means to her, Ildiko replies: "For me personally, 'One World' means that if something happens on one side of the world, it will also have an impact on the other side of the world at some point, and that we therefore cannot be indifferent to what happens anywhere in the world. We simply have to remember how lucky we are to live in a democracy. We are doing well." As Ildiko speaks, footage of her in the city and of graffiti in Berlin is shown.

Ildiko continues: "I didn't write this song against a particular war, but against all wars. Peace is from my point of view… I'm not from the economy, I'm not from politics…. but in my understanding, peace is the basis for a functioning society and for a functioning One World. And for me, peace is the first step in the direction of everyone being able to live well at some point. I believe that all other goals can also be realised on the basis of peace."

With the line “Für Krieg sind wir nicht bereit“ ("We are not ready for war") the song stops and Ildiko and coach René give each other a high five. René encourages Ildiko: "Very nice!"

The banner of the current round of the Song Contest "Dein Song für EINE WELT!" (Your song for ONE WORLD) appears in yellow with a globe and two young people making music in the centre. On the left-hand side there is a link to find more information at www.eineweltsong.de. As well as the handle for Facebook and Instagram @eineweltsong. The logo of Engagement Global, the German Federal Ministry for Economic Cooperation and Development, and other sponsors can be seen at the top and bottom of the banner. The Song Contest was supported by the Kultusminister Konferenz, Aktion gegen den Hunger, Bertelsmann Stiftung, Cornelsen Verlag, Grundschulverband e.V., Kindernothilfe e.V., Lugert Verlag, Spiesser – die Jugendzeitschrift, TUI Care Foundation, Verband deutscher Musikschulen e.V. and ZEIT für die Schule. The logo of the Song Contest with the orange ball with headphones can also be seen in the top right-hand corner. Then the orange circle from the beginning appears in the centre and expands until only the lettering is visible on an orange background.

At the beginning of the video, you see a dark blue background with an animated rotating globe. In the centre is an orange circle that fades out. This is followed by this year's Song Contest banner with the title "Dein Song für EINE WELT!" (Your song for ONE WORLD). On the globe is a photo of a girl playing the guitar and smiling, as well as a young man holding a microphone in one hand and pointing at the audience with the index finger of his other hand.

The intro fades out and a shot of the Spree in Berlin appears. In the next scene, a Berlin tram is shown. In the foreground, "'Zugpferde' von Liuz" ('Draught horses' by Liuz) is faded in at the bottom left. Immediately afterwards, a glowing light bulb is shown. In the background there is a blurred image of Liuz in a recording studio.

Liuz is sitting on a chair. Light bulbs shine in the background. There is a globe and a light panel with his name and the song title (“Zugpferde”, “Draught horses”). Liuz starts to talk: "Hi, I'm Liuz. I'm 23 years old. I was born in Leipzig and moved to Berlin in 2019. I currently work for a communications agency."

While he is speaking, other scenes are shown, including one of him taking a walk in Berlin. Liuz is then seen with the film clapperboard in his hand, which he slams shut while saying and laughing: "Liuz, the first one."

This is followed by footage from the recording studio. Liuz is rapping:
„2023 Scheiss auf Gangstergehabe,
das wird Gesellschaftskritik und keine Wendyausgabe…“
("2023 Fuck the gangster behaviour,
this is social criticism and not a Wendy edition...")

While images of past live performances are shown, he explains: "I've been actively making music since the end of 2020. I'm organising myself in a collective with six other artists. On the other hand, I'm also in the process of releasing my first album." Footage from the recording studio is shown again. Liuz raps:
„Wir sind Zugpferde, systematisch vor den Pflug gespannt
Schreib zwar mit ruhiger Hand doch wutentbrannt
Immer schneller immer weiter hin zur Hegemonie
Die Scheuklappen zu groß, du kannst nicht sehen was du ziehst.
Die Peitsche trifft den Rücken, glaub bei Gott dass ich sterbe
Lass mich treiben bis zum Tod, so wie Postkutschenpferde“
("We are draught horses, systematically harnessed to the plough
Writing with a steady hand but with rage
Faster and faster, further and further towards hegemony
The blinkers are too big, you can't see what you're pulling.
The whip hits my back, I believe by God I'm dying
Let me be driven to my death, like stagecoach horses")

Meanwhile, a close-up of the lyrics. Liuz is supported while rapping by a vocal coach. Liuz says the following about the song: "My song is called Zugpferde (draught horses) and it's basically about the exploitation of the working class."

This is followed by a rap verse: „Die Hand, die uns füttert, ist auch jene, die die Peitsche schwingt, Augen sind geschlossen und wir leiden blind.“ ("The hand that feeds us is also the one that wields the whip, Eyes are closed and we suffer blind.")

Liuz speaks into the camera again: "I've met people here with very, very different fates, and that was a bit of a motivation to put their perspective into a song and show the hardship that prevails there. People who have existential fears and are trapped in their daily work and in this system that breaking out of it seems somewhat impossible."

As he speaks, film sequences are shown in which Liuz walks through an underground station in Berlin.
Next, Liuz is shown rapping in the recording studio: „Die Ausbeutung endet nicht mit Ladenschluss.“ ("Exploitation doesn't end when the shops close.")

The song continues to play in the background while Liuz speaks into the camera again and says: "It is definitely a global problem, not just in Germany, but on the other hand we are still in a super privileged position compared to so many other countries." More footage of Liuz in the bustle of Berlin is shown. Another clip from the recording studio:
„Tote für dein iPhone, und ich kann meinen Zorn nicht halten,
Kinder in der Mine, doch in keiner Miene Sorgenfalten,
Fabrik in Bangladesch, Chemie in ihren Nüstern“
("Dead people for your iPhone, and I can't hold my anger,
Children in the mine, but no one worries,
Factory in Bangladesh, chemicals in their nostrils")

Liuz speaks into the camera and, referring to his song lyrics, he explains: "I also mentioned Rana Plaza, for example. The factory collapsed ten years ago and a lot of people died there, and what you're seeing right now is very, very strong protests in Bangladesh against the working conditions, but also to show that through things like trade unions, if you stick together and stand up for better working conditions and fight for them, you can definitely achieve results." As he speaks, scenes of Liuz in Berlin are shown again. Liuz is rapping in the recording studio again:
„Alle lassen sich von Konzernen die Hufe beschlagen
verpesten unsre Luft ist grad nicht so gut mit dem Atmen
Die ganze Welt ringt nach Luft - eine blaue Erde
Eine Hoffnung, eine Lösung, endlich Freiheit für die Herde!
Wir sind Zugpferde …“

("Everybody's getting their hooves shod by corporations
polluting our air, breathing is not so easy
The whole world is gasping for air - a blue earth
A hope, a solution, finally freedom for the herd!
We are draught horses ...")

Referring to ONE WORLD, Liuz says: "I believe that many of these problems will show us that we as people, who are currently very divided into very extreme sides, need to move closer together again instead of pushing each other away and separating ourselves from each other. And that's kind of the idea behind One World, to say okay, we are different peoples, different nations, but we have common problems that we can only solve together."

At the end, Liuz and his coach both say "Yeah!" into the microphone and it follows the banner of the current round of the Song Contest "Dein Song für EINE WELT!" (Your song for ONE WORLD) appears in yellow with a globe and two young people making music in the centre. On the left-hand side there is a link to find more information at www.eineweltsong.de. As well as the handle for Facebook and Instagram @eineweltsong. The logo of Engagement Global, the German Federal Ministry for Economic Cooperation and Development, and other sponsors can be seen at the top and bottom of the banner. The Song Contest was supported by the Kultusminister Konferenz, Aktion gegen den Hunger, Bertelsmann Stiftung, Cornelsen Verlag, Grundschulverband e.V., Kindernothilfe e.V., Lugert Verlag, Spiesser – die Jugendzeitschrift, TUI Care Foundation, Verband deutscher Musikschulen e.V. and ZEIT für die Schule. The logo of the Song Contest with the orange ball with headphones can also be seen in the top right-hand corner. Then the orange circle from the beginning appears in the centre and expands until only the lettering is visible on an orange background.

At the beginning of the video, you see a dark blue background with an animated rotating globe. In the centre is an orange circle that fades out. This is followed by this year's Song Contest banner with the title "Dein Song für EINE WELT!" (Your song for ONE WORLD). On the globe is a photo of a girl playing the guitar and smiling, as well as a young man holding a microphone in one hand and pointing at the audience with the index finger of his other hand.

The intro fades out and it appears a close-up of a stickered bridge railing and the Spree in Berlin. The singing voice of Mashuka can be heard in the background. At the bottom left, a banner with "'Zum Licht' von Mashuka" ('To the light' by Mashuka) is displayed.

Mashuka is walking through painted columns in Berlin. Her synchronised voice is heard off-screen: "My name is Mariya Vorona, I'm 14 years old." Mashuka is sitting in the studio. Several illuminated light bulbs and a glowing globe on a wooden box are in the background. Mashuka can be heard speaking Ukrainian in the background, while the German translation is spoken in the foreground: "I currently live in Germany, in Neuhausen, and in Ukraine I lived in Slavyansk."

In the next scene, Mashuka holds the film clapperboard and slams it shut. She smiles.
While she says: "I am in the 9th grade at a Ukrainian online school and in the 8th grade here in Germany", we see a graffiti on the wall of a house that reads "Refugees Welcome".

Mashuka is once again strolling through the painted columns. She continues off-screen: "My song is called “Zum Licht” (“To the light”). The song wrote itself. I didn't even think about what to write; I just saw what was happening around me in the world and then I just sang. My soul wrote the lyrics, not my head."

As she speaks, recordings from the recording studio with her coach appear. Mashuka sings in Ukrainian. The subtitle shows the German text:
„Der Vater des Kindes musste in den Krieg.
Viele haben nicht mal ein Zuhause
Ins fremde Dunkel starren, mehr bleibt uns nicht.“
("The child's father had to go to war.
Many don't even have a home
Staring into the foreign darkness, that's all we have left.")
She continues: "My feelings when we came to Germany, how I experienced everything, these feelings are in my song - including the feelings of other people around me."

This is followed by a recording of Mashuka sitting at the piano and playing. She tells us off-screen how she got into music: "I've been making music since I was a child. Since I was five or six years old, in Ukraine. First piano, then vocal training. I performed at music school events, sang at various concerts and took part in competitions."
As she tells this story, photos of her performing are shown.

More footage from the studio and from the coaching follow. Mashuka comments her experiences in the studio: "I really like it here in the studio. I find it super exciting how everything works here, how you record and mix the voice and the music. I've always wanted to experience that. I would love to write music professionally one day."

Mashuka is laughing with a microphone in her hand. This is followed by footage of her walking through a street in Berlin. She continues: "When I experience a particularly happy or cheerful moment, I somehow create a poem straight away. And when I think of a melody, I try to combine my verses with that melody."

The camera zooms in on Mashuka's face in a close-up as she stands in front of a graffiti.
"Through music, sad words take on a beauty of their own; it's not just as if you're complaining."
Her song, which can be heard in the background, gets louder and she is seen singing again in the studio:
„Renn zum Licht, die Füße blutend
vor Unglück und Sorgen,
schrei ins leere Dunkel, wieder und wieder,
brich deine Flügel und streck
die Hände hoch zu der Sonne von morgen.“
("Run to the light, feet bleeding
from misfortune and sorrow,
scream into the empty darkness, again and again,
break your wings and stretch
your hands up to the sun of tomorrow.")
As she speaks, footage is shown of the lyrics, but also of the coaching outside the studio.

"You miss someone you love, and you think about what was before, and what is now, and what will be later... It's a message so that whoever hears the song knows that they are not alone in this situation. So that you keep fighting, keep rushing towards the light."

Her song gets louder again. Mashuka is laughing with her coach. Then you see her sitting in the studio again and concluding: "For me, one world means a harmonious world in which everyone feels comfortable and has the same rights. I want to make people's concerns heard. If you really want something, fate will give you a chance."

Finally, Mashuka and her coach give each other a high five. Mashuka's coach says "spasibo" in Russian, which translates as "thank you". It follows the banner of the current round of the Song Contest "Dein Song für EINE WELT!" (Your song for ONE WORLD) appears in yellow with a globe and two young people making music in the centre. On the left-hand side there is a link to find more information at www.eineweltsong.de. As well as the handle for Facebook and Instagram @eineweltsong. The logo of Engagement Global, the German Federal Ministry for Economic Cooperation and Development, and other sponsors can be seen at the top and bottom of the banner. The Song Contest was supported by the Kultusminister Konferenz, Aktion gegen den Hunger, Bertelsmann Stiftung, Cornelsen Verlag, Grundschulverband e.V., Kindernothilfe e.V., Lugert Verlag, Spiesser – die Jugendzeitschrift, TUI Care Foundation, Verband deutscher Musikschulen e.V. and ZEIT für die Schule. The logo of the Song Contest with the orange ball with headphones can also be seen in the top right-hand corner. Then the orange circle from the beginning appears in the centre and expands until only the lettering is visible on an orange background.

At the beginning of the video, you see a dark blue background with an animated rotating globe. In the centre is an orange circle that fades out. This is followed by this year's Song Contest banner with the title "Dein Song für EINE WELT!" (Your song for ONE WORLD). On the globe is a photo of a girl playing the guitar and smiling, as well as a young man holding a microphone in one hand and pointing at the audience with the index finger of his other hand.

The intro fades out and the cityscape of Berlin appears. A banner with "'A Letter To My Girl' by Neele & Joci" is displayed in the left-hand corner.

The camera pans to several pillars, behind which a young woman looks out. She says off-screen: "I'm Neele. I'm 18 years old.". Another young woman then appears in front of her between the pillars and says: "I'm Joci. I'm also 18 years old.".

In the next scene, Neele and Joci sit on armchairs and hold a clapperboard with their names on it. The flap closes. Then another scene with the two of them outside in the Berlin cityscape. They are sitting together, back to back on a bench. This is followed by a sequence from the studio, where Neele and Joci are sitting in armchairs. While the young women talk about their song, scenes from Berlin, the studio and private recordings are played

Joci says: "We're both from Arnstadt and I'm currently doing my voluntary social year at the theatre." Neele then says: "I'm taking a gap year before I go to university, so to speak, and working a bit." Joci continues: "I grew up with music. My dad is also a musician, so I think the first time I held a microphone was when I was two." Images of one of Joci's performances are shown. Neele says: "It didn't start that early for me, but it was definitely through the youth band at church, we were always on the road or just at music school. Our song is called ‚A Letter To My Girl‘."

Neele and Joci sit on the floor of the recording studio with vocal coach Frankie and work on the lyrics. Neele speaks up: "How can I survive Mum? Please tell me, how did you survive? " she is encouraged by Frankie and Joci. Coach Frankie: "Super, very fluent, awesome." Joci: "You did a good job!"

Neele then talks about her song: "The origin or focus of the song is, so to speak, xenophobia, racism, even in everyday life, and how this affects people who experience it. Fortunately, we are very privileged when it comes to this topic, but we have dealt with it in class." You can hear and see Joci singing in the background.

Close-up of Neele holding the song lyrics in her hands and singing: "I can feel the change breaking through the crowd. Praying for a better world where our color doesn’t count."

Joci continues: "I think that especially now in the digital world and on social media, racism is more and more discussed and present. And I find it frightening how often racism can be witnessed in everyday life." Neele agrees: "And it's still addressed far too little." Images from Berlin are shown - a poster indicating that the Gröbenufer has changed its name to May-Ayim-Ufer.

Neele and Joci are shown in the recording studio. Joci starts the melody and Neele begins to speak: “I am most uncomfortable with the way they look at me.

Their faces say already so many things, Mum.”

The vocals fade into the background and Joci tells off-screen: "We came across a page on the internet. A father had written a letter to his son, and we took a bit of inspiration from that." The vocals from the studio are getting louder again. Neele: "How can I survive Mum? Please tell me, how did you survive?" Joci starts to sing: "I can hear their voice, even if they don't speak..."

This is followed by another scene of the two of them in the armchairs. Joci says: "Ultimately, the goal is for everyone to feel comfortable in this One World that we have. So it's this One World that should be created for everyone and where everyone has a space for themselves, so to speak, where they feel comfortable. It's not okay to hate or exclude someone because of the colour of their skin, their pronunciation or anything else. And that's why at the end of our song we really call on the world to be open and welcoming to everyone." You can still hear and see them singing in the background.

In the last scene, they both sing the verse “Here is what we would like for you to know.

Between the world and our souls there is nothing that can stop loving us whole”. They smile at each other and applause can be heard from the background.

It follows the banner of the current round of the Song Contest "Dein Song für EINE WELT!" (Your song for ONE WORLD) appears in yellow with a globe and two young people making music in the centre. On the left-hand side there is a link to find more information at www.eineweltsong.de. As well as the handle for Facebook and Instagram @eineweltsong. The logo of Engagement Global, the German Federal Ministry for Economic Cooperation and Development, and other sponsors can be seen at the top and bottom of the banner. The Song Contest was supported by the Kultusminister Konferenz, Aktion gegen den Hunger, Bertelsmann Stiftung, Cornelsen Verlag, Grundschulverband e.V., Kindernothilfe e.V., Lugert Verlag, Spiesser – die Jugendzeitschrift, TUI Care Foundation, Verband deutscher Musikschulen e.V. and ZEIT für die Schule. The logo of the Song Contest with the orange ball with headphones can also be seen in the top right-hand corner. Then the orange circle from the beginning appears in the centre and expands until only the lettering is visible on an orange background.